Showing posts with label social emotional development. Show all posts
Showing posts with label social emotional development. Show all posts

Saturday, March 7, 2015

Integrating Curriculum: Sometimes Learning is Messy!


This is a display of our Imaginary Land Project. It grew out of several strands from previous weeks. My small group (The Star Moon Drummers!--Great name for a rock band, no?) was fascinated by bridges and bridge building. The Drummers (four girls, four boys) built bridges from cardboard, huge wooden blocks, small wooden blocks, and their own bodies. They created stories about their bridges, and associated their understandings with actual bridges they knew or had heard about. One boy was so entranced that he became the expert on suspension bridges, and, with his scientist father, built them in his own basement, sharing pictures with the other children.

Out of a curricular strand on maps that we shared with the other Pre-K small group (The Runaway Missing Names--it's a long story...) came an interest in the ubiquitous world maps we teachers brought in from Doctors Without Borders (bless 'em). I cut the maps I had into quarters and gave each child a piece. I asked them to outline the countries, and as we did, we discussed them, and the children's knowledge of them ("John is from Australia! Senka is from India! Remember Irini from Greece?"). They knew that, on a map, white equaled ice and snow, and blue indicated water, so their interest was piqued by the colors of the continents and countries they outlined. Next, they glued their maps to larger paper and created art by coloring areas with Creamy Crayons. As they colored I asked them to imagine their own country, or "land". I recorded their ideas on my trusty phone, and later typed them up for display. The children sounded out the names of their lands and wrote them on their maps. But that wasn't the end.

Children are most comfortable realizing their vision in three dimensions. This is why so many learning materials in preschool are blocks, math manipulatives, and clay. Just emerging from the sensory-motor stage of development, and not yet at ease with two-D representation, children think, and represent in 3-D. Using bodies in movement is another 3-D, kinesthetic route for cognitive growth. Yes, movement is a form of thought. Howard Gardner's theory of multiple intelligences has been around for years, yet schools still seem to push 2-D thinking as the gold standard. 

How could we represent our imaginary lands in three dimensions? With ice, dirt, greenery, and desert? First the children painted huge cardboard, scavenged from old boxes, in blues and greens. This was the water their lands would inhabit. Then they made their own clay from a recipe in Mudworks, a book I have used for centuries (well..a long time, anyway). They enjoyed the clay-making, because children love messes, and this is a messy activity! They created paper outlines of the land they wanted to create, and chose either one continent or several islands to portray. They laid out the outlines on their clay and cut around them with plastic knives. The land masses were glued to their cardboard oceans with Tacky Glue. 

Next was painting the land according to their own ideas of where in the world their land was. Was it near the equator, or perhaps in temperate zones? Was it near one of the poles? We used a globe to imagine this. Being fours and fives, though, they wanted some of each, so many of their land masses were a combination of brown, green, and white. Their ideas of their lands altered as they created their three-dimensional displays. Ice came into their stories that had none before.

We caucused about what they wanted to build, and with what. My suspension bridge boy had heard of building with sugar cubes and there was no doubt after that what the building medium would be! The children built bridges across water, and buildings on land with sugar cubes, tiny sticks and Tacky Glue. The last step was painting buildings and bridges. Voila! They were done. I asked if they wanted to make sugar people, and to my disappointment, they did not. C'est la vie. The project was theirs, not mine!

Within a group of eight children ages 4 1/2 through 5 1/4 there are many differing talents and abilities. One child might build like an engineer and another tell a fabulous story. Each child needs a different level of support throughout the process. This whole project took several weeks, and at various stages I had another well-trained adult working with us. Children cried at times with frustration because their ability didn't match their vision. We worked with them to come as close as possible. The children were proud of their work, and eager to take their creations home. I took pictures for my 2-D wall display. 

It is indicative of emergent, project-based teaching that boundaries between what is art, language arts, social studies, science, math and other subjects get blurry. That's why parents and some teachers may see an integrated curriculum as just too messy for "real" school. But every child gets individual attention and validation for their thinking and efforts.

Here is one imaginary land story for you to enjoy: "Once upon a time there was a Color Man. He makes crayons and colors. He gives them out to people. He goes on the line (map boundary) to take colors to everyone. He goes to different countries to give colors out."
This is a land I would love to visit. Wouldn't you?




Sunday, September 7, 2014

Star Moon Drummers: The genesis of a small group name and the importance of rhythm to children.

As most of you know, my first profession was as a singer. I prided myself on being able to read complex rhythms, and to sing them with accuracy. I noticed throughout my career that many singers (and church organists, by the way) did not "get" complex rhythm patterns easily. No need to analyze that phenomenon. I leave it to music educators. But in preschool, rhythm patterns mean much more than most preschool teachers give them credit for.

Last week my small group needed to come up with a name. Children come into this with different ideas, many animals, and increasingly, media favorites. One boy wanted us to be the "minions"! A teacher said that "Gail's Minions" would be pretty cool! But I also knew that this boy had told me he was glad to be in my group because I liked drumming, and so did he. So I prompted him: "Remember you said you like to drum? Want us to be the Drummers?" That did it. Everyone wanted to be The Drummers. The next step was to find our descriptive words. One new boy said, over and over, "STAR!" Several girls said, "MOON!" in response. I was overcome. "What a beautiful name!", I said. "The STAR MOON DRUMMERS!" There was instant buy-in. We are the Star Moon Drummers. We have been drumming and scatting rhythm patterns all week.

Rhythm exploration is math. So providing drumming opportunities are an easy sell in educational circles. Rhythm work is social. The children we teach at our center become so much more organized and cooperative when they drum or use our hammock-style xylophone. Social-emotional skills are the backbone of kindergarten readiness.

Rhythm exploration is science. I hung our xylophone out this week. How may ways can you play one? I had never even thought of some of the experiments the children did. How does it sound if you crawl UNDER the xylophone and play it? How does it sound if you tip the beater back and forth, making it play with both ends? And of course, can I make a "glissando" (my term)? Heck, yes!! I did not suggest any of these alternatives, because the children are natural scientists, experimenting, processing data, coming up with new ideas and making observations. Here are some (albeit headless) photos of our children in action;

Drumming on the Playground

The xylophone is made from bed slats cut from large to small. The sound is not unlike Japanese wood blocks, The drummers soon dragged their drums over to the xylophone so that there was a sort of combo. The xylophone players looked like this...

Xylophone made out of old bed slats.

We look forward to a year of music experimentation. I will introduce videos of street drummers to this group to validate their awesome efforts on the playground. I would LOVE for them to see street drummers in person, to even participate. A field trip? Dancing to each others' drumming? Of course.

We must never underestimate the power of the arts to teach. We must not forget that, as Loris Malaguzzi said so often, in teaching we must do "Nothing without joy".